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Works
upcoming n/a (2028) BASc Recital, 5th order ambisonics [60 mins]
Yo-Yo Man n/a (2027) hexaphonic audio-video fixed medium [for Thanapat Ogaslert]
upcoming n/a (2027) audio/video live performance [with msyves]
upcoming My Little Drum (2027) stereophonic videomusic [for Kantapong Rakbankerd]
upcoming sonal_footprints (2027) stereophonic live electronics
upcoming Studies for Spherical Loudspeakers (2027) for TEAMSonar & IKO loudspeaker
I. Autumn Leaves
II. Giant Steps
III. Cast Your Fate to The Wind
IV. How Deep Is The Ocean?
V. Dolphin Dance
upcoming ...of wind and wire in a visceral world... (2026-2027) live electronics for IKO loudspeaker
upcoming Vapor Wave (2026-2027) Third-order ambisonics fixed medium
upcoming UnFoundsoundObjects (2027) octophonic fixed medium
upcoming claireclaudecodecloud (2026-2027) octophonic fixed medium [for OSSIA New Music]
upcoming data (2026) octophonic fixed medium
Klang / เสียง (2026) audio/video live performance [OKMD National Knowledge Center commission, with Yves Pokakunkanon and Taratawan Krue-on]
untitled live (2026) audio/video live performance [UnFest'26 commission, with msyves]
TETHER NETHER (2026) stereophonic fixed medium for a pirate radio [for Travis Johns]
Skytt/Scottky (2026) octophonic live electronics [with Scott Wilson]
residues from a shared instant (2026) stereophonic fixed medium
Lament for a pair of ears (2026) modular synthesizer improvisation
Voltage Controlled Obscenity (2026) quadrophonic fixed medium
Time Slip (2025-2026) for Red Velvet and stereophonic fixed medium
Tec(h)tonic II (2025) [ad hoc installation for IntAct Festival 2025 with Thanapat Ogaslert] for subwoofers and bricks
six pitched/unpitched variations on Klai Baan (2025) for Buchla Music Easel; album
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spatialized algorithms (2025) for audiovisual quadraphonic electronics; accompanying paper; DOCUMENTATION IN PROGRESS
YIMB / ยิ้ม (2025) live electronics for yes-input-mixing-board;
dìaw / เดี่ยว (2025) stereophonic fixed medium for a feedback system
mùu / หมู่ (2025) live electronics for modular synthesizer
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Voltage Controlled Atmospheres (2025) Improvisatory study-suite in 5 parts for modular synthesizer; recording
I. - [alternative version performed at Mahidol University as part of Composition Student Concert 2/AY2024]
II. …caressed by the shifting breeze as she hums her soft refrain.
III. solemn sathorn
IV. strolling in selly oak
V. scattering ornithoids [alternative version performed at PGMF2025 as part of From Node to Noise]
khûu / คู่ (2025) stereophonic fixed medium for two feedback voices; recording
dadadadadatadada (2025) multichannel audiovisual livecoding for reinforced quadrophonics; DOCUMENTATION IN PROGRESS
RedForest (2025) for video and two performers (rodent_radio with Nattakon Lertwattanaruk); recording
VelvetBurst (2025) for doomscroller and modular synthesizer (rodent_radio with Nattakon Lertwattanaruk); recording
Colors of Hope (2025) music for original documentary; RECORDING UNAVAILABLE
sonorous landscapes (2025) selected livecoding performance archive; RECORDING UNAVAILABLE
00000000 trailer
00000001 so_sp_hills
00000010 so_sp_shanshui
00000011 so_sp_colors
00000100 2years_anniv
00000101 sky@kys: ls -a
00000110 SGpal_solo
00000111 rr_solo
00001000 oppressive
From Node to Noise (2025) for electronics trio; RECORDING UNAVAILABLE
oppressive synthesis (2025) for electronics duo; RECORDING UNAVAILABLE
An Apocalyptic Guide to the Internet (2025) (Co-Writing electronics with Tanawat Naruepai) for electronics soloist and fixed ensemble; recording
sky@kys: ls -a (2025) Guided improvisation for multichannel livecoding (also sonorous landscapes 00000101); fancam-style recording
Allegory of the Bald Man: Premium Edition (2025) (Fixed media electronics part for Tanawat Naruepai) for death whistle duo and fixed media electronics; RECORDING UNAVAILABLE
Allegory of the Bald Man (2025) (Co-composed with Tanawat Naruepai) for solo death whistle and modular synthesizer; recording
Tec(h)tonic (2024-2025) for acoustic physical modelling synthesizer and 2 operators; recording; performance video; accompanying paper
Cryptic Color Encoding (2024) interactive audiovisual installaton, stereophonic; DOCUMENTATION UNAVAILABLE
Sonic Mirage (2024) (Collaborative research-composition project with Chua Zi Tao, Zhong Yishi, and Rattana Suparattanachatpun) Guided improvisation for electronics quartet; live performance recording
EcoPhonics (2024) for audiovisual electronics; RECORDING UNAVAILABLE
Dirge: For the Eroded (2024) for audiovisual electronics; recording
Soliloquies. Neons. Nonsense. (2024) Audiovisual Works Collection
I. Noise Stories; recording
II. when's the next train?; recording
III. does this sound like eno to you?; recording
IV. This is Da Klub Feel; recording
V. Rate My Rack (3U 64hp); recording
Resonance Rebellion (2023) Cyberpunk-themed Concept Album; full album link
I. Intro
II. Rain, and what comes after
III. Pulses
IV. Moving
V. Everything made from a dream has a right to dream
VI. Resonance Rebellion
VII. Outro
The Melody of Silence (2023) Music for original motion picture; recording
Instructions Unclear (2023) for electronics sextet; recording
Pursuit of Knowledge (2023) Extended play; full EP link
I. Anapanasati
II. Disturbance
III. Tribute to Don Buchla
IV. East, West, and Beyond
V. Pulses?
Sweet Dreams! (2023) Extended play; full EP link
I. Slumber
II. Dream
III. Wake
Peace, or the lack thereof (2023) Extended play; full EP link
I. Peace? Part 1
II. Peace? Part 2
III. Peace, or the lack thereof
For When I Hear the Earth Sing (2023) Collaborative Suite with Nattakon Lertwattanaruk and James C. Leelayuvat
III. Artificial Blues; studio recording; live performance recording
Red Buttons (2023) Collaborative Multimedia Composition with Nattakon Lertwattanaruk and James C. Leelayuvat; studio recording; live performance recording
Oumphf (2023) Collaborative Composition with Nattakon Lertwattanaruk and James C. Leelayuvat; studio recording; live performance recording